“It’s in some ways a very dark comedy, in some ways it’s absurdist. There are elements that may remind you of NO EXIT or WAITING FOR GODOT, but it’s rooted in something that’s very real, very pernicious, and very ongoing, and that is the numbers of people, particularly young black men, who are being killed by police officers or other law enforcement in America every day.” - Kerry Reid talking about James Ijames’ KILL MOVE PARADISE.